2ms positive pulse is needed for safe triggering. Sequencer Trigger Input 0.2Volt – 15Volt Max trigger occurs at approx 10Volt. Although some think of Simmons as lack of dynamics and peeew sounds. Notice how the sequencer input also support dynamics, a big part of what made Simmons drum voices so unique at its time were due to how they implemented electronics to utelize dynamics to alter the sound. 96ms for bass and 35ms for snare.Įach voice board have two separate trigger inputs.
#Sequential circuits six trak manual#
Service manual also different what they call Anti splat length to approx. Simmons SDS 7 Dual Sample Module Service Manual “There is one extra bit of circuity with values to suit the two applications, that is the minimum dynamic level D402 and R26.” more… It has values which suit the trigger wave forms generated by the bass pad.” “ There are 2 versions of the D.S.M., one is used for Snare, Toms and effects the other is for bass. The dual digital modules only have bend down from 0 to 250.” Bend up is values from 0 to 140, bend down from 140 to 250. ”The dual sample modules are programmed in exactly the same way as the digital/analog modules, but note that there is no modulation or bend up as in the analog/digital modules. Modulation Speed (0-140 fast range / 140-255 slow range) “Primarily designed to offer the SDS 7 owner the flexibility of the multi sampled approach for the SDS 9 bass and snare drum, the modules can of course be used for any sampled sounds.”įor sound design here are the parameters available to us: Analog/Digital card
This module is the most versatile yet, and places Simmons once again at the fore of multi sample synthesis for percussion.” Combined with the filter controls and separate ‘bend’ controls for each sample. So for the first time the two distinct parts of a sampled drum sound are controllable. The second sample has a programmable threshold control which allows for second sample to sound at a pre-determined dynamic from the pad, and the click circuit has been re-designed to accent the start of the digital sound, I.E. In these modules, the analog section has been replaced with a second digital section, there are separate envelopes for each digital sound as well as a third for the noise generator.
”A new generation of modules has been produced to further increase the versatility of the SDS 7. Below you can read the blurb from the 26 page long manual mostly containing blank pages for yourself to fill in patches for the Dual Sample Module:
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